PROGRAMME
3RD INTERNATIONAL CONFERENCE
MUSIC AND SOUND DESIGN IN FILM AND NEW MEDIA
September 12 – 14 (Thursday–Saturday) 2019
LMTA, Gedimino Ave. 42, Balcony Theatre, 1st floor
Music Innovation Studies Centre (MiSC), 2nd floor
Sept. 11 (Wednesday)
18.30 International 360° sound workshop student concert @ MiSC
At the end of the concert Opening and Welcome Cocktails for the conference guests
Sept. 12 (Thursday)
LMTA, Gedimino Ave. 42, Balcony Theatre, 1st floor
8.45 – Opening speeches
1st session
9.00-10.00 Key speaker KATHRYN KALINAK
Rhode Island College, USA
The Soundscape of LA LA LAND
10.00-11.00 Key speaker CLOVIS GOUAILLIER
l’École des médias de l’Université du Québec à Montréal, Canada
Practicing VR to Better Advanced Film Sound
11.00-11.30 Coffee break
2nd session THEORETICAL ISSUES OF FILM SOUND
11.30-12.00 Presenter ANDREW KNIGHT-HILL
University of Greenwich, UK
Audio-visual Space
12.00-12.30 Presenter ISHAI ADAR
Sapir college, Israel
Four Principles of Musical Cues in Film Music
12.30-13.00 Presenter PÄIVI TAKALA
CMT, Sibelius Academy, University of the Arts, Helsinki, Finland
From Emotion to Felt Sense, From Places to Spaces
13.00-14.00 Lunch
3rd session CASE STUDIES PANEL (1)
14.00-14.30 Presenter ADRIAN ROBAK, OLAF FLAK
University of Silesia in Katowice, Poland
Virtual Instruments (VSTi) in Films as a Substitute for Session Musici-ans. Results of the Research Based on the System of Organisational Terms
14.30-15.00 Presenter DEB KAMAL GANGULY
Film and Television Institute of India, Pune
Landscapes of Vulnerability: Musical Artefacts in Ingmar Bergman and Satyajit Ray
15.00-15.30 Presenter TAMAS ZANYI
SZFE, University of Theatre and Film Arts (Budapest), Hungary
Immersive Sound in Contemporary Hungarian Feature Films
15.30-16.00 Coffee break
4th session CASE STUDIES PANEL (2)
16.00-16.30. Presenter EVA CEPIL
The Pontifical University of John Paul II in Krakow, Poland
Between Art Cinema and MTV. A Poetics of Music Video in Making of Paolo Sorrentino’s THE GREAT BEAUTY
16.30-17.00. Presenter VLADIMIR ALEXANDER SMITH-MESA
University College London: UCL Library Services, UK
Soundscapes of the Cuban Cinematic Experience
17.00-18.30 Free time
18.30 Spatial music concert
Music innovation studies centre, Gedimino Ave. 42
Sept. 13 (Friday)
5th session
9.00-10.00 Key speaker GERGELY HUBAI
The University of Theatre and Film Arts of Budapest, Hungary
Restoring Rejection: Reconstructing Hitchcock’s FRENZY
10.00-11.00 Key speaker KEITH LAY
Full Sail University, USA
Distance Music
11.00-11.30 Coffee break
6th session ISSUES OF INNOVATIVE FILM/MEDIA SOUND
11.30-12.00 Presenter ROSS WILLIAMS
Nanyang Technological University, Singapore
Frame, No Frame: Sound Design Practice in 360° Film and Virtual Re-ality
12.00-12.30 Presenter ENRICO PIETROCOLA
Conservatorio G. Verdi, Torino, Italy
Creatures sandbox
12.30-13.00 Presenter YIORGIS SAKELLARIOU
Athenian Contemporary Music Research Centre and the Hellenic Electroacoustic Music Composers Association, Greece
Echoes and Resonances: Constructing Sonic Space through So-undscape Composition
13.00-14.00 Lunch
7th session PRACTICAL ISSUES OF CREATING FILM/MEDIA SOUND
14.00-14.30 Presenter TITAS PETRIKIS
Vytautas Magnus University, Lithuania
Creative Considerations in Sculpting the Soundtrack in Early Film Post-production
14.30-15.00 Presenter ROY FINCH
Chapman University, USA
Soundscapes and Textural Sound Design Creation: An Organic Appro-ach to Soundscape Synthesis
15.00-15.30 Presenter TROND LOSSIUS
Independent artist, Norway
Clouds, fog, shimmer – creative shaping of sound fields in ambisonics
15.30-16.00 Coffee break
8th session
16.00-16.30 Presenter MANTAUTAS KRUKAUSKAS
Lithuanian Academy of Music and Theatre
Some Aspects of Effective Use of Immersive Sound Techniques for Music Composition and Sound Design
16.30-17.00 Presenter WOJCIECH M. MARCHWICA
Jagiellonian University, Institute of Musicology, Poland
When One Wants Too Much ... Common Mistakes While Creating a Movie Soundtrack
17.00-18.30 Free time
18.30 Screening The Ancient Woods
(Dir. MINDAUGAS SURVILA, Lithuania). Introduction by film sound designers Saulius Urbanavičius ir Jonas Maksvytis
FORUM CINEMAS Vingis, Savanorių Ave. 7
More: http://www.sengire.lt/en#about
Sept. 14 (Saturday)
9th session
9.00-10.00 Key speaker ROSS WILLIAMS, VAL KUKLOWSKY
Nanyang Technological University, Singapore / UK
Where is the Sound? Challenges and Strategies in Enhancing the Sta-tus of Sound in Media Pedagogy
10.00-11.00 Key speaker HENRIK FRISK
Royal College of Music, Sweden
Machinic Propositions – Narrative Interaction Between Sound and Image
11.00-11.30 Coffee break
10th session EARLY CINEMA SOUND PANEL
11.30-12.00 Presenter VINCENT BOHLINGER
Rhode Island College, USA
Editing Rates and Editing Strategies in Musical Sequences in Soviet Cinema of the 1930s
12.00-12.30 Presenter JONAS MAKSVYTIS
UP Records, Lithuania
Drawn Sound
12.30-13.00 Presenter JOHN SWEENEY
Pianist, Silent film specialist, UK
Music for Silent Film: Where Does It Come from, And What Is It for
13.00-14.00 Lunch
11th session CASE STUDIES PANEL (3)
14.00-14.30 Presenter DOMANTAS MILIUS
Kaunas University of Technology, Lithuania
Film Music by Eduardas Balsys: The Case of ADAM WANTS TO BE A MAN
14.30-15.00 Presenter SUDIPTO ACHARYYA
Whistling Woods International, India
Pure Sound Signs as Affect: Ways of Heightened Hearing as Precursor to Immersive Audio
15.00-15.30 Presenter JONATHAN MILO TAYLOR
London College of Communication, UK
Ears Wide Open: Considerations of Immersive Sound in the Works of Stanley Kubrick
15.30 Closing speeches
16.00-20.40 Free time
20.40 Screening Phono-Cinéma-Théâtre, 1900, France, dir. CLÉMENT MAURICE
Film music (sound) performers: John Sweeney (piano), Kristupas Kmitas (percussion), Haroldas Parulis (clarinet)
SKALVIJA Cinema Centre, A. Goštauto 2
More: www.pirmojibanga.lt